Contributing author to Art for Rollins, Volume I, which features full-color images and texts documenting the Alfond Collection of Contemporary Art,…
College Art Association 2019, Public Monuments and Sculpture in Postwar Europe
CAA Affiliated Society Membership: European Postwar Contemporary Art Forum (EPCAF) panel at CAA, 2019 Session Abstract: The term monument comes…
Ann Lewis, See Her, Public Art Mural, Boston
I served as the curatorial consultant for Ann Lewis‘ mural, See Her, a temporary mural at 808 Tremont Street in Boston commissioned…
Feminist Art and Architecture Collaborative
I am a founding member of the Feminist Art and Architecture Collaborative, an intersectional feminist research group that labors in…
Arlington Public Art–Youth Banner Initiative Curator, 2015-2018
Inaugurated in 2015, I was the curator and project manager for the Arlington Public Art Youth Banner Initiative. This program…
Book: Arte Ambientale, Urban Space, and Participatory Art
Working in 1970s Italy, a young generation of artists, namely Ugo La Pietra, Maurizio Nannucci, Francesco Somaini, Mauro Staccioli, Franco…
Field Note: Counterplanning from the Classroom
Authored by the Feminist Art and Architecture Collaborative: Ana María León, Tessa Paneth-Pollak, Martina Tanga, Olga Touloumi “Field Note: Counterplanning…
Burnishing Histories: Mags Harries 1976 Asaroton
Boston-based public artist Mag’s Harries sculpture Asaroton is now considered a cherished landmark in the urban landscape, but at the time…
Artists Refusing to Work: Aesthetic Practices in 1970s Italy
Peer-Review article: “Artists Refusing to Work: Aesthetic Practices in 1970s Italy.” Palinsesti 1, no. 4 (2015): 35-49.
Institutional Reinvention: The Venice Biennale during the 1970s
Caught at the center of sweeping debates over institutional patronage, the Venice Biennale underwent a staggering transformation during the 1970s.…
Martina Tanga 